This article first appeared in egress 11 of our liberal digital magazineCURIOUS .

jet off to distant locations , getting up - close and personal   with rare and endangered wildlife , and motorbiking a few Tai crocodiles in baskets : it ’s all a Clarence Day in the lifetime for National Geographic Explorer , presenter , fend - up comic ,   and palaeoanthropologist Ella Al - Shamahi . explore is something that anyone can do almost anywhere , but the prospect of doing it for a bread and butter seems like a childhood dream . So , it got us thinking , how do you become a professional explorer ?

Al - Shamahi recently returned to our screens for serial publication two ofOur transfer Planet , a BBC documentary film that aims to track the reward of efforts made by scientists and local conservationist fighting to protect the planet and the species live on it at a critical clock time in Earth ’s chronicle . Series one saw Al - Shamahi trek into Cambodia ’s Cardamom Forest , and for series two she ventured to the Mekong and ride across rough terrain to relocate queer reptiles with Bob Hope of establishing a new and prosperous wild universe .

We entrance up with Al - Shamahi to find out what explore is really like when the tv camera are switched off , and how one pass away about becoming a professional explorer . mollycoddler alert : it takes more than a full Indiana Jones hat .

What ’s it like being an explorer ?

Ella Al - Shamahi : The thing with geographic expedition is it takes many different forms . I was just with a protagonist over the weekend who works out in the Cook Islands , and she live there , that ’s how she does it . Whereas I live in London and then I do expeditions , whether they ’re kind of idiot box adventures or more hardcore clobber .

Whatever form it takes , it mean you get a front row seat to some special , extraordinary station , people , stories , information , and scientific discipline . It really is a privilege to be able-bodied to see that . I ’m very , very golden that I often get to see “ off the beat track ” stuff . You also get to see part of the world that have been really affected by conflict . It ’s incredible to see that there are people trying to protect biodiversity and do skill , meanwhile , they ’ve got this injury of ten of war .

Any downsides ?

EA : It is really , really unbelievable , but I can get tired from the travelling sometimes , just the practical element . Sometimes I ’m like , “ I need more vitamin , ” but I call up that come about to everybody . We ’re all just tired .

How did you get into it ?

EA : I was interested in development because I came from a creationist background , so I really started off not really believe in development . And as I started getting deeper into it ,   I was quite interested in Yemen , which is where my family come from , because I know some really interesting scientific questions could be had with wish to human evolution and Yemen specifically .

I was also doing stand - up comedy and had actually get off to take schooling to learn how to make ethnographical and documentary moving-picture show , because I really wanted to be behind the camera . I had no interest in being on camera , but I was n’t very expert behind photographic camera . I was   good at being a producer but I was regretful at being the director .

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Then the great unwashed start say to me , “ stop messing around , you do science , you do drollery , why do n’t you be a goggle box donor ? ” At the same time , the National Geographic Society get off me a letter inquire me to be one of their Explorer , which was really cool . Around a year or two afterward I got my first show , which was one I had been pitch .

So , it was quite a wide-ranging journey ?

EA : Yeah , I recall it ’s a honorable instance of why you should attempt and try out with lots of things . When I first started out , I in spades had a mess of citizenry enunciate “ why are you doing stand up ? ” or “ why are you doing film ? Just focalize on skill , do n’t be sappy . ”

I was passionate about comedy , I recollect it was really good for my mental wellness and I just found it really enjoyable . I also found filmmaking really interesting , so I did it . I imagine if you ’re interested in something , even if it does n’t make sense in the natural mix of what you ’re doing , just go for it . Do n’t let people tell you what works as a vocation .

Has being an explorer made you a better fabricator ?

EA : I suppose it ’s definitely made me more fun in the pothouse . We always have these jokes amongst us , and not just Internet Explorer , to be fair , like war journalists as well , that we ’ve all catch our state of war stories . And when we say that we mean like , crazystories . And we get a kick out of know how to tell those tale , they ’re just so bonkers .

But I recall at the same time , it ’s a substantial responsibility as well . Like , what ’s the point in me snuff it to unbelievable position if I ’m not doing something generative with it , because that ’s just a holiday , right ?

There has to be a purpose to it . There has to be something that you ’re trying to do to facilitate or to convey . So , I ’d say it ’s definitely given me the stories that make me an interesting storyteller at times . But it ’s also a responsibility .

If you ’d wish to see Al - Shamahi doing what explorers do best , serial two of Our Changing Planet is available onBBC iPlayernow .

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